Alba Serrano Duque

I live two streets above the Mirador de San Nicolás, so I check the light on the Alhambra from my own rooftop most evenings before deciding when to film. On camera I hold the wide view of the palace and the Sierra Nevada behind it steady for as long as the light stays good, since that combination is the reason people climb up here in the first place. On calmer calls I walk the white lanes of the Albaicín instead, timed for the golden hour when the walls turn a different colour entirely. I keep my commentary brief and let the views do most of the work.