Amina Fazlić

I trained in conservation and spent two years working on the restoration of Vijećnica, so its pseudo-Moorish facade is where I feel most useful on camera. From there I usually move to the Tunnel Museum, a preserved section of the tunnel that supplied the city during the siege, or across to Kazandžiluk, where coppersmiths still work the same trade their families have for generations. My German comes from university rather than family, but it gets steady use with visitors here. Six years of guiding has made me fairly precise about which of Sarajevo's harder histories need slowing down for.