Annette Wirth

I trained as a painter and have spent years studying Albrecht Dürer's work, so guiding from outside his old house feels closer to a pilgrimage than a job. On camera I point out the half-timbered workshop windows he would have used for natural light, explaining how the house's design shaped his working day. My second session moves through the Germanisches Nationalmuseum's exterior courtyards, tracing how the collection grew from a single building into Germany's largest museum of cultural history. I keep a thoughtful, slower pace suited to close looking rather than quick coverage.