Karolina Wróbel

I trained as an architect before I started guiding, so buildings like the Crooked House interest me as much as anything historical in the town. On camera I try to show how the ripple in the facade actually continues through the floors inside, which most photographs never manage to capture. At Opera Leśna I like visiting when it is empty, since the quiet lets me explain the space properly before describing what it becomes during the festival. I keep both sessions visual and I am happy to linger on one detail.