Laia Fontana

I studied fine art and spent a term researching Miró's late work, so I know exactly which pieces the foundation's building was designed around, even though we stay outside its walls. On camera I frame the white concrete against the sky, since the architecture was built to let in a very specific kind of light. At the Olympic Ring nearby I explain how the 1992 stadium reused an older 1929 structure rather than starting from nothing. I keep both sessions focused on how buildings carry their own history.