Liam O'Sullivan

I moved over from Cork more than a decade ago and settled on the South Bank almost by accident, then never left. My sessions follow the river from the turbine hall at Tate Modern along to the London Eye, since that stretch changes character completely depending on the time of day. I hold the phone at chest height the whole way so the walk feels continuous rather than a series of stops. Nine years in, I still notice something different about the light on the water most weeks, which keeps the job from ever feeling repetitive.