Nino Beridze

I have walked Batumi Boulevard almost every evening since I was a teenager, so I know exactly which bench gives the best angle on the Ali and Nino statue as it slowly merges and pulls apart. On camera I like to wait for that movement rather than just describing it, since it only takes a few minutes to complete a full cycle. I also show the Piazza nearby, where the mosaic tiling rewards a slow, close look rather than a quick pass. I keep my calls relaxed and easy to follow, and I always leave time for questions about the statue's story.