Priit Kukk

I worked a season at AHHAA before I started filming Tartu more widely, and that job left me with a habit of explaining how things work rather than just what they look like. My sessions along the river usually move from the science centre toward the national museum, since both buildings say something about how Tartu treats its own history and its future in the same stretch of riverbank. On camera I keep a steady, curious pace, pausing wherever a detail is worth a longer look. I leave real time at the end of every session for whatever people want to ask.