Priska Aebischer

I trained in art history and wrote my thesis on Paul Klee, so the museum Renzo Piano built for his work in Bern's eastern hills is the place I know best on camera. I move through the three linked halls slowly, holding the phone still in front of the paintings that mean the most to me rather than covering the whole collection. On the call version I bring up images on screen instead and talk through a smaller group of works in more depth. I explain Klee's technique in plain terms, without the jargon that put me off the subject as a student. I always leave time for questions.