Saara Koskinen

I worked front of house at the Moomin Museum for two years before guiding on camera, so I still remember which drawings visitors always stopped longest in front of. On a call I cannot bring you past the entrance, so I talk through specific pieces from memory and hold the phone on the building's exterior instead. I studied illustration myself and grew up on the same books most people watching probably read as children. I keep the pace slow around any detail that surprises people, since that reaction is usually worth the extra time.