Toni Raga

I have painted a few of the smaller murals in Ruzafa myself, so I know which walls are recent and which have survived several repaints already. On camera I follow the grid of streets slowly, because the whole neighbourhood still reads like the separate village it once was. In Benimaclet I look for the low houses behind the main square, since they are easy to miss if you only pass through once. I keep both sessions relaxed and a little informal, closer to a chat with a neighbour than a formal lecture.