Darius Kazlauskas

I grew up in Petrašiūnai, right by the reservoir, so the water and the monastery across it have always felt like the same place to me. On the Pažaislis call I like to let the camera rest on the cupolas for a moment before explaining how a Baroque complex like this ended up on a lake shore in Lithuania rather than in Rome. Out on the reservoir path afterwards I point out where the old Nemunas riverbed used to run before the dam changed everything. I trained as a landscape architect, which probably explains why I care more about where things sit than what they are called.