Empar Gimeno

I trained as a historian and spent two years cataloguing documents in the cathedral archive, so I know the story behind each of its three doorways better than most. On camera I like framing the Miguelete tower from a slight distance, so its full height reads properly against the square. At the Serranos gate I keep the phone low on the old stone, because the wear on those towers tells its own story without much explaining from me. I answer questions carefully and in full rather than rushing past them to the next stop.