Julie Fontaine

I studied art history and spend most of my calls at the Musée Calvet and the Angladon collection, though the camera always stays outside the buildings themselves. I like explaining what a single painting held nearby actually depicts, since that context rarely comes through in a passing glance. My pace is warm and unhurried, and I check in often to make sure a detail has actually landed before moving to the next stop. Avignon's museums get less attention than the palace, and I enjoy giving them proper time.