Juliette Moreau

The Louvre holds more than the Mona Lisa ever gets credit for, and I spend most of my calls steering viewers toward rooms the crowds skip entirely. I trained as an art historian and worked as a museum lecturer before video calls became the format I work in most. I keep a formal, unhurried pace through each room, since a painting explained quickly is rarely explained well. French, English and Italian all serve me well depending on who is watching. I answer detailed questions about technique and period gladly, and I rarely rush toward the next room.