Margus Rebane

I used to rent studio space in the old industrial quarter before it became known for its murals, so I still know which walls change most often and which artists keep coming back. My sessions move between the newest paintings and the older factory brickwork underneath them, since both are part of the same story. On camera I like pausing at a single mural long enough to explain what it replaced, rather than rushing through a whole street of them. I leave real time at the end of every session for questions about the district.