Tjaša Kovačič

I sang in the choir at the cathedral for years before I ever thought about guiding, so I still notice details in the interior that most visitors walk straight past. On camera I move between the cathedral and the quieter courtyard at Križanke, pointing out how differently the two spaces use light and sound. I trained as an art historian, and it changes how closely I look at ceilings and carvings most people barely glance at. My calls stay unhurried, and I welcome questions about anything on screen that catches someone's attention.