Valentina Greco

I studied art restoration, so the Fontana di Nettuno gets more of my attention than most guides give it. I film the bronze Neptune from below to show the scale properly, then move around to the sirens at the base, pointing out details easy to miss from a normal photograph. My sessions are short and direct, since I think a fountain like this rewards a close look rather than a long lecture. I keep talking to a minimum while the camera is actually on the detail, then explain once I have moved back.