Zuzana Hlavatá

I trained as a restorer on the frescoes inside the Piarist church, so I read Baroque ceiling painting the way other guides read a map. On camera I stay close to the Kammerhof arcades, pointing out the mining stamps carved into the stone by workers centuries ago. I also cover the brewery stop myself, since I know the family reviving the old mining recipes personally. I keep sessions unhurried, because both the paintings and the beer deserve a proper explanation rather than a rushed one on a tight schedule.