Manon Béraud

I show Sainte-Victoire from a viewpoint at the edge of the city, the same silhouette Cézanne painted more than eighty times, and I like explaining why the light on that ridge changes so much through the day. Later in the evening I turn the same phone toward Forum des Cardeurs, where the terraces fill up and the square changes completely. I trained as a hiking guide before I moved most of my work online, and I still think in terms of a route even when I am standing still. I like a session with a few quiet moments, not constant talking.