Peter Kováč

I trained as a stonemason on the cathedral's restoration scaffolding years before I started guiding, so I know exactly which carvings on Dóm svätej Alžbety are original and which are later replacements. On camera I hold on the crypt entrance a little longer than most, since few visitors realise a Hungarian prince is buried there. I also worked seasonally at Katova bašta when it still ran as a small exhibition space, so I know its walls better than most locals do. I keep my sessions precise and slower than average, since the details here reward patience rather than a quick pass.